Slow cooked and hastily photographed in Tokoname, Aichi Prefecture, Japan.
Familiar shapes textured in different hues of clay.
With bakau wood from the mangrove. Roasted in a steamy little shack hidden in a dragonfruit plantation, Plentong, Johor.
Tossed with seaweed and pistachio shells and left to smoulder. In bins and boxes and holes in the ground.
Animated by annoyance and nostalgia. Created for Singapore Art Week 2024.
Scorched in sawdust and wildfowl feathers, on the hottest day in Singapore’s recorded history.